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	<title>Comments on: The Paper Engine &#8211; what fuels YOUR motor?</title>
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		<title>By: Watch The Gravity Half Pass Video! &#171;</title>
		<link>http://aaronfishermagic.wordpress.com/2008/01/04/the-paper-engine-what-fuels-your-motor/#comment-1163</link>
		<dc:creator>Watch The Gravity Half Pass Video! &#171;</dc:creator>
		<pubDate>Mon, 16 Jun 2008 22:17:26 +0000</pubDate>
		<guid isPermaLink="false">http://aaronfishermagic.wordpress.com/2008/01/04/the-paper-engine-what-fuels-your-motor/#comment-1163</guid>
		<description>[...] want to find out what more readers have to say about The Paper Engine, click to read the comments here. Possibly related posts: (automatically generated)The Paper Engine - what fuels YOUR [...]</description>
		<content:encoded><![CDATA[<p>[...] want to find out what more readers have to say about The Paper Engine, click to read the comments here. Possibly related posts: (automatically generated)The Paper Engine &#8211; what fuels YOUR [...]</p>
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		<title>By: James Teitsworth</title>
		<link>http://aaronfishermagic.wordpress.com/2008/01/04/the-paper-engine-what-fuels-your-motor/#comment-969</link>
		<dc:creator>James Teitsworth</dc:creator>
		<pubDate>Tue, 15 Jan 2008 04:28:30 +0000</pubDate>
		<guid isPermaLink="false">http://aaronfishermagic.wordpress.com/2008/01/04/the-paper-engine-what-fuels-your-motor/#comment-969</guid>
		<description>The thing that makes the Paper Engine really worth it is the way it is written.  It shares experiences and mistakes in a very intimate and conversational way.  It helped me realize how much tension there was in my magic and how I could fix it.  The sleights and tricks in the book are all top notch and are very comfortable to perform after the needed practice.  It&#039;s a must have for anyone who REALLY wants to take their card magic to the next level.</description>
		<content:encoded><![CDATA[<p>The thing that makes the Paper Engine really worth it is the way it is written.  It shares experiences and mistakes in a very intimate and conversational way.  It helped me realize how much tension there was in my magic and how I could fix it.  The sleights and tricks in the book are all top notch and are very comfortable to perform after the needed practice.  It&#8217;s a must have for anyone who REALLY wants to take their card magic to the next level.</p>
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		<title>By: Matt</title>
		<link>http://aaronfishermagic.wordpress.com/2008/01/04/the-paper-engine-what-fuels-your-motor/#comment-751</link>
		<dc:creator>Matt</dc:creator>
		<pubDate>Tue, 08 Jan 2008 21:25:25 +0000</pubDate>
		<guid isPermaLink="false">http://aaronfishermagic.wordpress.com/2008/01/04/the-paper-engine-what-fuels-your-motor/#comment-751</guid>
		<description>(i forgot to add this, i thought of it after I posted)

Aaron, in case you ever feel like writing another book. Please write one completely on magic theory. There are so many books explaining moves and tricks and I&#039;d like to see you release a book solely on magic theory, heck I don&#039;t care if there isn&#039;t even one trick in it. The reason is that I truly feel that you have a great understanding on what magic is and why it is important and well as great suggestions to performing better. 

Also, I am also writing a book. It won&#039;t be published or sold or anything but I&#039;m writing a book about my magical experiences and some of my reputation building effects as well as techniques and to top it off my philosophy on magic. Sort of a magical diary, except for replace &#039;diary&#039; with a less fruity word. 

I suggest that every magician do it, have a magic diary or log because I&#039;m looking back on it day by day and learning a lot about myself and how to improve my magic. As well as help me remember all the people I&#039;ve touched with magic. Just a thought. Cheers.

Matt. G</description>
		<content:encoded><![CDATA[<p>(i forgot to add this, i thought of it after I posted)</p>
<p>Aaron, in case you ever feel like writing another book. Please write one completely on magic theory. There are so many books explaining moves and tricks and I&#8217;d like to see you release a book solely on magic theory, heck I don&#8217;t care if there isn&#8217;t even one trick in it. The reason is that I truly feel that you have a great understanding on what magic is and why it is important and well as great suggestions to performing better. </p>
<p>Also, I am also writing a book. It won&#8217;t be published or sold or anything but I&#8217;m writing a book about my magical experiences and some of my reputation building effects as well as techniques and to top it off my philosophy on magic. Sort of a magical diary, except for replace &#8216;diary&#8217; with a less fruity word. </p>
<p>I suggest that every magician do it, have a magic diary or log because I&#8217;m looking back on it day by day and learning a lot about myself and how to improve my magic. As well as help me remember all the people I&#8217;ve touched with magic. Just a thought. Cheers.</p>
<p>Matt. G</p>
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		<title>By: ryan bliss</title>
		<link>http://aaronfishermagic.wordpress.com/2008/01/04/the-paper-engine-what-fuels-your-motor/#comment-742</link>
		<dc:creator>ryan bliss</dc:creator>
		<pubDate>Tue, 08 Jan 2008 00:48:30 +0000</pubDate>
		<guid isPermaLink="false">http://aaronfishermagic.wordpress.com/2008/01/04/the-paper-engine-what-fuels-your-motor/#comment-742</guid>
		<description>The paper engine is one of those resources that is critical to anyone starting out in magic. Or even if you have been into the magnificant art for years it is still incredible. the book contains several unique and highly effective sleights that can immediately applied to your repetoire. for example the gravity half pass and the illusion control are prime examples of effecivness and deception. the half pass alone changed my view on card magic and i think you will find that also as it is very useful and deceptive. aside from the sleights, Aaron teaches a trick after each one and also includes personal comentary on each aspect of how he came up with them.
    Toward the end of the book are the tricks. These tricks are practicle and extremely visual. Revolution #9 is a trick that i know do on a regular basis. Helter Skelter is and even more visual verson of it. There seems to be something to everyone. All the members of my magic ring see this book as an exelent piece of material for any magician.
    If you are looking for some of the best moves and tricks for an unbeatable price the the Paper Engine is for you. You will not be dissapointed</description>
		<content:encoded><![CDATA[<p>The paper engine is one of those resources that is critical to anyone starting out in magic. Or even if you have been into the magnificant art for years it is still incredible. the book contains several unique and highly effective sleights that can immediately applied to your repetoire. for example the gravity half pass and the illusion control are prime examples of effecivness and deception. the half pass alone changed my view on card magic and i think you will find that also as it is very useful and deceptive. aside from the sleights, Aaron teaches a trick after each one and also includes personal comentary on each aspect of how he came up with them.<br />
    Toward the end of the book are the tricks. These tricks are practicle and extremely visual. Revolution #9 is a trick that i know do on a regular basis. Helter Skelter is and even more visual verson of it. There seems to be something to everyone. All the members of my magic ring see this book as an exelent piece of material for any magician.<br />
    If you are looking for some of the best moves and tricks for an unbeatable price the the Paper Engine is for you. You will not be dissapointed</p>
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		<title>By: Simon Southerin</title>
		<link>http://aaronfishermagic.wordpress.com/2008/01/04/the-paper-engine-what-fuels-your-motor/#comment-740</link>
		<dc:creator>Simon Southerin</dc:creator>
		<pubDate>Mon, 07 Jan 2008 21:18:18 +0000</pubDate>
		<guid isPermaLink="false">http://aaronfishermagic.wordpress.com/2008/01/04/the-paper-engine-what-fuels-your-motor/#comment-740</guid>
		<description>i think that the paper engine is quite simply a brilliant book. i&#039;d say that the only coment that i could make about the book is making the effect of some of the moves more apparent, such as the nowhere pass. 

the tricks themselves are quite unique, and are based around the moves learnt in the book; if you can&#039;t do the moves, you can&#039;t do the trick, making it a secret to any lay person that might get hold of the book.

the pictures in the book show what needs to happen and where your fingers need to be quite effectively.

even though i purchased the book last year, i am stilllgoing back to it for helpful tips and tricks, and advice on how to perform some of the tricks.

all together, the book is one of a kind, and it should be cherished and looked after rathe than just thrown on the shelf. 

i think that a big well done should go out to Aaron Fisher, for creating such a memorable piece of magic.</description>
		<content:encoded><![CDATA[<p>i think that the paper engine is quite simply a brilliant book. i&#8217;d say that the only coment that i could make about the book is making the effect of some of the moves more apparent, such as the nowhere pass. </p>
<p>the tricks themselves are quite unique, and are based around the moves learnt in the book; if you can&#8217;t do the moves, you can&#8217;t do the trick, making it a secret to any lay person that might get hold of the book.</p>
<p>the pictures in the book show what needs to happen and where your fingers need to be quite effectively.</p>
<p>even though i purchased the book last year, i am stilllgoing back to it for helpful tips and tricks, and advice on how to perform some of the tricks.</p>
<p>all together, the book is one of a kind, and it should be cherished and looked after rathe than just thrown on the shelf. </p>
<p>i think that a big well done should go out to Aaron Fisher, for creating such a memorable piece of magic.</p>
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		<title>By: Shiv Duggal</title>
		<link>http://aaronfishermagic.wordpress.com/2008/01/04/the-paper-engine-what-fuels-your-motor/#comment-733</link>
		<dc:creator>Shiv Duggal</dc:creator>
		<pubDate>Mon, 07 Jan 2008 14:43:44 +0000</pubDate>
		<guid isPermaLink="false">http://aaronfishermagic.wordpress.com/2008/01/04/the-paper-engine-what-fuels-your-motor/#comment-733</guid>
		<description>The paper engine is a fascinating book, it makes you realise that the force of nature is greater that the force of magic. However when you work with nature it makes all you do look magical and you can create miracles</description>
		<content:encoded><![CDATA[<p>The paper engine is a fascinating book, it makes you realise that the force of nature is greater that the force of magic. However when you work with nature it makes all you do look magical and you can create miracles</p>
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		<title>By: Tony Noice</title>
		<link>http://aaronfishermagic.wordpress.com/2008/01/04/the-paper-engine-what-fuels-your-motor/#comment-724</link>
		<dc:creator>Tony Noice</dc:creator>
		<pubDate>Mon, 07 Jan 2008 01:51:05 +0000</pubDate>
		<guid isPermaLink="false">http://aaronfishermagic.wordpress.com/2008/01/04/the-paper-engine-what-fuels-your-motor/#comment-724</guid>
		<description>The central thesis of THE PAPER ENGINE is that tension should be eliminated wherever possible in the performance of card magic. This concept is exemplified by his seminal sleight, the Gravity Half Pass, as well as by many other wonderful items like the Outjog Herrmann Pass and Decking the Top. If the book offered nothing else but this concept of not &quot;doing&quot; a move but letting it happen, it would still be a huge contribution – but Aaron gives us dozens of other goodies as lagniappe.  I would like to propose one additional advantage. When tension is removed from card magic, as Aaron promotes throughout the book, slights become a genuine pleasure to practice. Because the goal is the complete removal of effort – the performer just arranges the proper position or positions and gravity, momentum, or other natural forces take over. I believe that moves based on this premise are a joy to learn. They are also the most effortless to execute, and the most reliable under the pressure of performance. Unfortunately not all good card magic can take advantage of this notion. A pass that is used for the purpose of performing a completely overt, visual appearance or disappearance of the card at the face of the deck must involve properly applied tension between the two halves of the deck so that, when the tension is released, the halves reverse faster that the eye can see. Too much tension and the cards will bind or even fly out of the hands; too little and the spectator will see a blur or “ghost” of the top half. Tension is also necessary in Vic Sendax’s superb interlocked production. In writing it up, Harry Lorayne quoted Vic as saying that the cards must be gripped so tightly that it would impossible for someone to pull them out no matter how hard he tried. But these are special moves to be used only when the performer needs an effect that no other method would supply. Bottom line: In 95% of the cases, the tension free concept that permeates THE  PAPER ENGINE is the most effective and liberating approach to the performance of elegant card magic for both magician and spectator.</description>
		<content:encoded><![CDATA[<p>The central thesis of THE PAPER ENGINE is that tension should be eliminated wherever possible in the performance of card magic. This concept is exemplified by his seminal sleight, the Gravity Half Pass, as well as by many other wonderful items like the Outjog Herrmann Pass and Decking the Top. If the book offered nothing else but this concept of not &#8220;doing&#8221; a move but letting it happen, it would still be a huge contribution – but Aaron gives us dozens of other goodies as lagniappe.  I would like to propose one additional advantage. When tension is removed from card magic, as Aaron promotes throughout the book, slights become a genuine pleasure to practice. Because the goal is the complete removal of effort – the performer just arranges the proper position or positions and gravity, momentum, or other natural forces take over. I believe that moves based on this premise are a joy to learn. They are also the most effortless to execute, and the most reliable under the pressure of performance. Unfortunately not all good card magic can take advantage of this notion. A pass that is used for the purpose of performing a completely overt, visual appearance or disappearance of the card at the face of the deck must involve properly applied tension between the two halves of the deck so that, when the tension is released, the halves reverse faster that the eye can see. Too much tension and the cards will bind or even fly out of the hands; too little and the spectator will see a blur or “ghost” of the top half. Tension is also necessary in Vic Sendax’s superb interlocked production. In writing it up, Harry Lorayne quoted Vic as saying that the cards must be gripped so tightly that it would impossible for someone to pull them out no matter how hard he tried. But these are special moves to be used only when the performer needs an effect that no other method would supply. Bottom line: In 95% of the cases, the tension free concept that permeates THE  PAPER ENGINE is the most effective and liberating approach to the performance of elegant card magic for both magician and spectator.</p>
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		<title>By: Matt</title>
		<link>http://aaronfishermagic.wordpress.com/2008/01/04/the-paper-engine-what-fuels-your-motor/#comment-720</link>
		<dc:creator>Matt</dc:creator>
		<pubDate>Sun, 06 Jan 2008 23:00:02 +0000</pubDate>
		<guid isPermaLink="false">http://aaronfishermagic.wordpress.com/2008/01/04/the-paper-engine-what-fuels-your-motor/#comment-720</guid>
		<description>With literally hundreds of books and manuals on the market right now it is easy to fall prey to buying cheap quality material from unprofessional magicians rather than high-quality material from real world working magicians. 

I can say with full honesty that Aaron Fisher&#039;s tretise on card magic does not fall into the former category.

Aaron wrote a marvelous book on magic and he wrote it in a way that won&#039;t make you feel like your learning from a book, it&#039;s the complete opposite, you actually feel like Aaron is right beside you teaching you all the moves, the psychological subtleties, and the theory on why it works. 

It&#039;s one thing to learn an effect or a move and a completely other thing to learn the theory behind the move. That is what Aaron teaches and that is why by reading, understanding, and practicing the book&#039;s material will make you a better magician.

Many magicians throw their variation of a few tricks on paper and call it a book with the hopes of making a quick buck. Most, if not all of the time a magician will notice this and be disapointed and feel buyer&#039;s remorse. If you spend even 5 minutes with the book you will notice that the book and it&#039;s material is extremely high-quality and you&#039;ll probably learn something in that short 5 minutes. You can tell that Aaron saw many magicians doing things wrongs and worked hard to find solutions to those problems. Aaron did not set out to make another run-of-the-mill magic book, he set out to build a train that runs on magic. This trains grows with every magician who jumps on and helps edge magic out of the tunnel it&#039;s been in since it&#039;s conception. Aaron has created a masterpiece.

I do not buy every single magic book or effect that comes out, I only own 5 books on magic, the rest I borrow. I set out to only buy the best books on magic and this book is one of my five. 

Now, I&#039;m aware the century has just begun but I believe that Aaron Fisher&#039;s &#039;The Paper Engine&#039; will be the &#039;Expert at the Card Table&#039; of the 21st century.

If you&#039;ve never read it, do yourself a favor, do your spectators a favor, and heck, if you are one of those kids who does magic on youtube then do magic a favor and be one of the first youtubers in the world to upload a respectable magic video.</description>
		<content:encoded><![CDATA[<p>With literally hundreds of books and manuals on the market right now it is easy to fall prey to buying cheap quality material from unprofessional magicians rather than high-quality material from real world working magicians. </p>
<p>I can say with full honesty that Aaron Fisher&#8217;s tretise on card magic does not fall into the former category.</p>
<p>Aaron wrote a marvelous book on magic and he wrote it in a way that won&#8217;t make you feel like your learning from a book, it&#8217;s the complete opposite, you actually feel like Aaron is right beside you teaching you all the moves, the psychological subtleties, and the theory on why it works. </p>
<p>It&#8217;s one thing to learn an effect or a move and a completely other thing to learn the theory behind the move. That is what Aaron teaches and that is why by reading, understanding, and practicing the book&#8217;s material will make you a better magician.</p>
<p>Many magicians throw their variation of a few tricks on paper and call it a book with the hopes of making a quick buck. Most, if not all of the time a magician will notice this and be disapointed and feel buyer&#8217;s remorse. If you spend even 5 minutes with the book you will notice that the book and it&#8217;s material is extremely high-quality and you&#8217;ll probably learn something in that short 5 minutes. You can tell that Aaron saw many magicians doing things wrongs and worked hard to find solutions to those problems. Aaron did not set out to make another run-of-the-mill magic book, he set out to build a train that runs on magic. This trains grows with every magician who jumps on and helps edge magic out of the tunnel it&#8217;s been in since it&#8217;s conception. Aaron has created a masterpiece.</p>
<p>I do not buy every single magic book or effect that comes out, I only own 5 books on magic, the rest I borrow. I set out to only buy the best books on magic and this book is one of my five. </p>
<p>Now, I&#8217;m aware the century has just begun but I believe that Aaron Fisher&#8217;s &#8216;The Paper Engine&#8217; will be the &#8216;Expert at the Card Table&#8217; of the 21st century.</p>
<p>If you&#8217;ve never read it, do yourself a favor, do your spectators a favor, and heck, if you are one of those kids who does magic on youtube then do magic a favor and be one of the first youtubers in the world to upload a respectable magic video.</p>
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		<title>By: Cody Fisher</title>
		<link>http://aaronfishermagic.wordpress.com/2008/01/04/the-paper-engine-what-fuels-your-motor/#comment-680</link>
		<dc:creator>Cody Fisher</dc:creator>
		<pubDate>Sun, 06 Jan 2008 03:26:16 +0000</pubDate>
		<guid isPermaLink="false">http://aaronfishermagic.wordpress.com/2008/01/04/the-paper-engine-what-fuels-your-motor/#comment-680</guid>
		<description>While every sleight and trick in the Paper Engine is practical, magical, and effective, Aaron Fisher&#039;s offering to the literature is special in that it presents a larger, more important message.  

       Throughout the work, Fisher gives valuable insight on how to strengthen one&#039;s magic, whatever it may be, by making it more effecient and reducing the tension inherent in many moves.  The best example of this may be his pivotal work on the half pass, a move which many have presented covers for and tips on, yet none have turned into a truly natural, motionless action, until the Gravity Half Pass.  

       Fisher&#039;s work on this and other moves gives a wonderful and inspirational example to any aspiring magician, in that it demonstrates that we as magicians have the ability to recognize problems in our magic, and provide elegant, natural solutions.  

       Additionally, Fisher, following in the mantra of Vernon, has found ways in his tricks to eliminate unnecessary moves and actions, which cloud the overall effect.  One example of this is &quot;Search and Destroy&quot;, where he has removed literally every move from a plot which previously had consistently been filled with unnecessary actions.  Thus, he succeeds in making his magic more practical, entertaining, and strong.  

       As a 16-year-old aspiring close-up magician, I consider Fisher&#039;s book extremely refreshing, in that it has provided me not only with useable material and sleights, which I can add to my repertoire, but also with a message which continues to inspire me to critically look at my own magic, and realize that the use of unnatural, tension-filled magic is not inescapable.

With respect and thanks,

Cody Fisher</description>
		<content:encoded><![CDATA[<p>While every sleight and trick in the Paper Engine is practical, magical, and effective, Aaron Fisher&#8217;s offering to the literature is special in that it presents a larger, more important message.  </p>
<p>       Throughout the work, Fisher gives valuable insight on how to strengthen one&#8217;s magic, whatever it may be, by making it more effecient and reducing the tension inherent in many moves.  The best example of this may be his pivotal work on the half pass, a move which many have presented covers for and tips on, yet none have turned into a truly natural, motionless action, until the Gravity Half Pass.  </p>
<p>       Fisher&#8217;s work on this and other moves gives a wonderful and inspirational example to any aspiring magician, in that it demonstrates that we as magicians have the ability to recognize problems in our magic, and provide elegant, natural solutions.  </p>
<p>       Additionally, Fisher, following in the mantra of Vernon, has found ways in his tricks to eliminate unnecessary moves and actions, which cloud the overall effect.  One example of this is &#8220;Search and Destroy&#8221;, where he has removed literally every move from a plot which previously had consistently been filled with unnecessary actions.  Thus, he succeeds in making his magic more practical, entertaining, and strong.  </p>
<p>       As a 16-year-old aspiring close-up magician, I consider Fisher&#8217;s book extremely refreshing, in that it has provided me not only with useable material and sleights, which I can add to my repertoire, but also with a message which continues to inspire me to critically look at my own magic, and realize that the use of unnatural, tension-filled magic is not inescapable.</p>
<p>With respect and thanks,</p>
<p>Cody Fisher</p>
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		<title>By: Michael "SIX" Muldoon</title>
		<link>http://aaronfishermagic.wordpress.com/2008/01/04/the-paper-engine-what-fuels-your-motor/#comment-674</link>
		<dc:creator>Michael "SIX" Muldoon</dc:creator>
		<pubDate>Sat, 05 Jan 2008 18:09:55 +0000</pubDate>
		<guid isPermaLink="false">http://aaronfishermagic.wordpress.com/2008/01/04/the-paper-engine-what-fuels-your-motor/#comment-674</guid>
		<description>The Paper Engine is a horrible book. Dont get it. Let me enjoy every effect in there for myself. Then I will fool you with some of it and look like God!

The Paper Engine truly is a fantastic book. You will find some difficult sleights to some of the simplest effects that will amaze magicians and laymen!

I actually created my first effect from that book, combining ideas from Aaron including : The Revolution change and a reversal from the routine Revolver. That effect is my first EVER published item and was in Magic Magazine. I can only thank Aaron for the great ideas he has and being kind enough to share them with us all.

This should tell you how great the book is. You will find new ways to visually change cards, visually reverse a deck of cards in the most magical manner, and many other routines that will fool your buddies and you will quickly add to your reportoire.

Some of my favorite items from the book include:

Revolver
The Nowhere pass
Bluff Replacement subtlety
The Illusion Control
Three Kings
Revolution No.9
and Search and Destroy

That is just some of my favorites and Im sure they will soon be yours.

Michael MUldoon</description>
		<content:encoded><![CDATA[<p>The Paper Engine is a horrible book. Dont get it. Let me enjoy every effect in there for myself. Then I will fool you with some of it and look like God!</p>
<p>The Paper Engine truly is a fantastic book. You will find some difficult sleights to some of the simplest effects that will amaze magicians and laymen!</p>
<p>I actually created my first effect from that book, combining ideas from Aaron including : The Revolution change and a reversal from the routine Revolver. That effect is my first EVER published item and was in Magic Magazine. I can only thank Aaron for the great ideas he has and being kind enough to share them with us all.</p>
<p>This should tell you how great the book is. You will find new ways to visually change cards, visually reverse a deck of cards in the most magical manner, and many other routines that will fool your buddies and you will quickly add to your reportoire.</p>
<p>Some of my favorite items from the book include:</p>
<p>Revolver<br />
The Nowhere pass<br />
Bluff Replacement subtlety<br />
The Illusion Control<br />
Three Kings<br />
Revolution No.9<br />
and Search and Destroy</p>
<p>That is just some of my favorites and Im sure they will soon be yours.</p>
<p>Michael MUldoon</p>
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